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ULTRASUEDE STUDIO PARTIAL GEAR LIST rev. July 2006 The control room and studio are LEDE-type* rooms designed by Jeffrey Cooper. The CRM dimensions are: 15’ x 18’ x 12’. The large studio room, is about 35' square with a 12' ceiling and an isolation room. All rooms have excellent sight lines. *[LEDE = Live End Dead End] We also have a separate lounge area with a small bar, 'fridge, cable TV, PS-2 and broadband wireless internet access.
All our gear is connected to MonsterPower AC Line filter/conditioners which reduce noise and help protect against power fluctuations. CONSOLE: D&R Orion in-line 24 x 16 x 2 with VCA fader & mute automation, 8 aux sends, 8 stereo returns, LCRS mode. ANALOG RECORDER: 3M-79 16-track 2" (30/15-ips, no N.R.) DIGITAL RECORDERS: Apple PowerMac G5 w/MOTU 24 I/O hardware (24 in/24 out, 24-bit/96K), Metric Halo MIO2882+DSP hardware (16 in/8 out, 24-bit, 96K), PreSonus DigiMAX 8-ch. preamp/ADC, MOTU MicroTimePiece, Panasonic SV-3800 DAT. DIGITAL RECORDER - REMOTE: Apple PowerMac G4 w/Metric Halo MIO2882+DSP hardware (16 in/8 out, 24-bit, 96K), PreSonus DigiMAXX 8-ch. preamp/ADC, Panasonic SV-3700 DAT. OUTBOARD FX: AKG BX-10 Gold Foil reverb; a custom-built plate reverb; Lexicon PCM-40, Roland Space Echo RE-201, Yamaha SPX-90, others. SOFTWARE & PLUG-INS: MOTU Digital Performer 4.6, Apple Logic Pro 7.2, Waves Renaissance Maxx 4, Gold 5, UAD-1 Powered Plug-Ins, PSP Vintage Warmer, Apple Wave Burner, ProTools 6.04LE w/ M-Box. We strive to maintain the most up-to-date, functional versions of all of our software and plug-ins but sometimes upgrades can cause incompatibilities. If specific versions of software and plug-ins are crucial to your session, please let us know. PROCESSING: Alan Smart C-2 compressor; Manley Vari-MU dual-channel compressor; EL8-X Distressor ; Urei LA-4 2-channel compressor; TAB V-78 (x2) mic pres; Sytek MPX-4A 4-ch. mic pre; Manley Dual-Mono 2-ch. mic pre; JoeMeek Studio Channel VC-1 mic pre/compressor; DBX-166 2-channel compressor (x2), DBX-901 multi-band compressor, Universal Audio 550-A (x2), Sphere 930-EQ (x2) and others. CONTROL ROOM MONITORS: Yamaha NS-10Ms; ATI Swans. STUDIO MONITORS: 4-ch. 200 watt/ch. discrete monitor system w/ (x4) wedges, Fostex T-20 & AKG headphones (up to 8 discrete mixes); Event 20/20P powered monitors, JBL EON-15 (x2). AMPS: CRM: Hafler P-3000, P-4000; STUDIO: Event 20/20P (reference/playback), Crown (wedges), Rane HC-6 and Beringher PowerPlay Pro (headphone amps). MICROPHONES & DIs: AKG-414 (x2), C1000, D112 (x2); Audio Technica ATM-33 (x2); B.L.U.E. Blueberry, Dragonfly; Audix OM-5, D-6; Beyer M-500, M-201, M-88; Coles 4038; Royer Labs R-121, Røde NT-4 X-Y stereo mic, Crown PZM; EV-408, 635a (x2); Neumann FET-47, U-67; RCA-44 and RCA-77 ribbon mics; Sennheiser 409, 609, 421, 441; Shure SM-57 (x3), SM-58 (x2), SM-58 Beta (x2); Sony ECM-54; Oktava MC-012 (x3); DI's: Manley 2-ch., Sescom, Countryman (x2); Little Labs IPB DI/Re-amp/Phase Tool. MIDI KEYBOARDS: Yamaha P-200; Nord Electro 61; Alesis SR-16; NeXT SpaceBass; Yamaha DX-7; Peavey Spectrum Organ module. INSTRUMENTS AND AMPS: Conover 6' Grand Piano, Ludwig drum kit w/ brass snare; Eko hollow-body bass, Musicman Stingray bass; Fender, Chandler, Gibson electric guitars & Sigma acoustic guitar; Fender Super Six and Fender Princeton Reverb amps; Line-6 FlexTone Combo amp; Ampeg B-15; GK-400 & RB-800 bass amps; Ampeg 4x10 & 1x15 bass speaker cabinets; a funky upright piano of undetermined origin; Hohner Clavinet D-6; Fender Rhodes electric piano; SuperFuzz, BigMuff, SansAmp distortion pedals, Cry Baby Wah-Wah pedal, Filter Queen, various other pedals; Leslie 125 Speaker Cabinet w/ Combo PreAmp Pedal.
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